Art Giverny’s essay promotes the work of Theodore Robinson, a 19th-century American Impressionist deeply influenced by his time in Giverny, France, and his friendship with Claude Monet. Bertrand highlights Robinson’s mastery in capturing the delicate interplay of light, movement, and atmosphere in rural landscapes, particularly in his depictions of the Seine and the iconic Hotel Baudy. Robinson’s paintings, largely housed in prestigious U.S. institutions, reflect the vibrant, serene beauty of the French countryside, making him a significant figure in American Impressionism.